SIEF2021 15th Congress
Helsinki, Finland
19-24 June 2021
Breaking the rules? Power, participation, transgression
SIEF2021 - Audio/visual programme
< SIEF2021 Thematic structure Grid List
Convenors: Anna Lisa Ramella (University of Cologne), Roger Norum (University of Oulu)
Audio/Visual Programme Selection Committee: Peter Crawford (University of Tromsø), Tom Dubois (University of Wisconsin Madison), Lotta Petronella (Independent filmmaker), Itsushi Kawase (National Museum of Ethnology, Osaka), Steffen Köhn (Freie Universität Berlin), Andy Lawrence (University of Manchester and filmmakingforfieldwork.co.uk), Fabian Lüke (University of Cologne), Moira Marklewitz (University of Cologne), Martin Saxer (Ludwig-Maximilians-University Munich), Anna-Céline Schäfer (University of Cologne), Theo Zerries (University of Cologne)
SESSION: Body and Senses as Subject/Resistance
Monday 21 June
Roundtable discussion on this topic: 16:15-18:00
Resisting the 'Patient' Body
'Resisting the ‘Patient’ Body' is the cinematic version of the homonymous video essay published on the Journal of Embodied Research (2019). According to the biomedical model of medicine, the subject of the illness event is the pathology rather than the person diagnosed with the disease. In this view, a body-self becomes a ‘patient’ body-object that can be enrolled in a therapeutic protocol, investigated, assessed, and transformed. How can it be possible for cancer patients to make sense of the opposite dimensions of their body-self and their body-diseased-object? Could a creative embodied approach enable the coping with trauma tied to the experience of illness? By applying a phenomenological approach and auto-ethnographic analysis to the experience of cancer, this visual exploration provides support for rethinking the cancer event through a performative perspective. This work previews images and video material collected over ten years of onco-haematological treatments, video dance performances and physical explorations. This work displays how processes of healing can be set in motion by creative embodied practices, physical explorations and unexpected journeys. By resisting the biomedical model and allowing the emergence of new meanings, it illustrates how dance and performative practices offer ground for transformation.
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